Drew Carey

Kristin Casey • December 13, 2020

In the mid/late 90s I lived in Las Vegas and worked as a stripper at the Crazy Horse Too,

one of the city’s top three gentlemen’s clubs. Stripping had always been my happy place and the only arena I’d ever felt supremely confident in. Especially in early sobriety, it was the sole place I had any confidence at all, though what I had there I had in spades, for sure.

 

I’d been stripping for almost ten years at the time and was one of the best hustlers in the club (meaning I had a strong work ethic, not that I manipulated my customers in any way). Plus, I loved the work...or did until the customers started getting out of hand, thanks to the club’s (and industry’s) lazy, greedy management. Eventually every interaction became a physical negotiation between my body and the customer’s mouth, hands, and crotch. I certainly didn’t mind a little touching, but by 1998 when nipple sucking and digital penetration (fingering) became commonplace, and therefore expected, I knew my stripping days were numbered. I decided to work as much as I could for the rest of the year, before moving back to Austin and quitting the business for good.

 

As part of that plan, I gave myself a new nightly quota. Usually, I’d hit it by shift’s end, though some nights only after staying into the next shift by an hour or two. Even if I’d earned $999 at the end of my shift I wouldn’t leave—no matter how grueling those eight hours had been—until I’d scored that last one-dollar bill. One night I hit my quota around 8:30pm, all set to leave half an hour early when a waitress entered the dressing room and told me Drew Carey had just walked in.

 

I re-buckled my Lucite platforms, applied a fresh coat of lip-gloss, and strode back out to the main floor. I found Drew Carey alone in an out of the way spot near the back wall, ordering his first drink. Normally I hate to rush a guy, but competition could be fierce during shift change. I knew if I didn’t pounce I could lose him to a more aggressive nightshift girl, so I approached and leaned forward to ask in his ear if he’d like a little company. Drew replied sweetly that maybe later would be better, after he’d had time to settle in a bit.

 

I forget what witty sexy comeback I used to convince him otherwise—I had dozens of them—but whatever I said did the trick and he offered me a seat. Five minutes later I was on my feet again, positioned between his knees at the start of my first of several lap dances. With one swivel of my hips, before I’d removed my red bikini top or sheer hip scarf, his gaze locked on my body, his posture shifting accordingly. His entire countenance changed, just like every customer before him when I began lap dancing. It was my favorite thing about stripping—that delicious initial moment of utter surety that I had him right where I wanted him. And that he’d stay there until his wallet was empty. Not to be cocky (so to speak) but there’s a rather small handful of things I’m truly gifted at in this world and lap dancing tops the list. I knew it and for the next six songs so did comedian/actor/game show host Drew Carey.

 

At that point I took a break and sat back down to talk, finding him to be delightfully unassuming, thoughtful, and doting—not to mention generous. He’d already showered me with double what he owed for the first six dances, yet while we talked he continued passing twenties and then hundreds to me, tucking them gently into the side of my t-back, bikini, and shoe straps. That’s where the biggest bills went, in fact—all around my feet. And like any experienced stripper I took that cue from him and ran with it. During my next set of dances, I made a point of positioning one foot up on his seat as often as I could, next to his leg where Drew could discreetly caress and fondle it to his heart’s content. By the fourth or fifth song my feet had become the primary focus of his attention to the exclusion of my breasts, legs, ass, etc.

 

Yep, Drew Carey has a foot fetish. One I was delighted to indulge. Not just because the cash kept coming but because (a) being the object of someone’s sexual desire and pleasure is one of the greatest joys I know, and (b) Drew Carey was simply the sweetest, coolest, least entitled by far customer I’d come across in ages. After my second set of dances, I again took a rest, giving Drew a chance to sweep his gaze across the room and spy another dancer—a beautiful, graceful nightshift girl I’d never seen before, and a former ballerina, we discovered, after I called her over at his request.

 

Next thing I knew we were doing a few “double trouble” dances, but by the third one I could see his attentions had mostly shifted her way. I was fine with that, having worked nine hours straight by then. I bid them goodnight and headed back to the dressing room counting my new wad of twenties and hundreds, well past my self-imposed $1,000 nightly quota.

[As an aside, at the time I was fully aware that Drew Carey was friends with my ex-fiancé, Joe Walsh. And while I briefly considered dropping his name into the conversation between dances while we talked, in the end I decided not to. Because what happens between strippers and their customers sometimes is more fun, sexy, and glamorous than anything even rock stars like Joe get up to.]

By Kristin Casey April 29, 2025
Here's another recent interview I did for Casey Dancer, this one with Houston's incomparable Outlaw Dave! https://open.spotify.com/episode/46RWIubCCjv9OYBDudcR2n
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Here are a couple short (10-12 minute) radio interviews I did last week about my new book, Casey Dancer. One is with Amanda Bacon from Seattle's KONP, and the other with iHeart Radio's amazing Arroe Collins. https://www.myclallamcounty.com/episode/ms-kristin-casey-author-recovering-addict-intimacy-expert/ https://www.iheart.com/podcast/53-arroe-collins-like-its-live-52808613/episode/self-discovery-through-stripping-the-book-273283931/
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Come see me read from, discuss, and answer questions about my new book Casey Dancer: A Memoir About Dating, Stripping, and a Little Hot Yoga, tonight at Greedy Reads Remington location (on 29th St.), 7pm, in Baltimore Maryland! I'll be "in conversation" with the amazing Charlotte Shane, former elite companion and author of An Honest Woman: A Memoir of Love and Sex Work. I'll be signing books after the reading and would love to see you there!
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In my new book Casey Dancer I write about my year long relationship in 2007 with a man named Lalo, a recently reformed drug dealer, drug user, problem drinker, and big time player. He was both a guy's guy and a big time ladies man. All the ladies loved my Lalo! And with good reason, as he was very cool, sexy, funny, charming (in an authentic way) and incredible in bed. What he wasn't was much of a philosopher or particularly psychologically astute. His emotional IQ was average at best, but one time he said something that really resonated...a sociological observation that to this day I find as profoundly true as anything I've ever heard: "Honey," he said. "The entire fucking world runs on two things: the pink and the green. They are all anyone really cares about or will lift a finger to obtain." He was referring to pussy and cash, of course. Sex and money, or in broader terms, love and power (since money and power pretty much go hand in hand). Lalo never had much of the latter, though, hot as he was, he rarely had to work hard for the former. And if you read my book you'll see I not only busted my ass for as much "green" as I could earn for us both, I rarely hesitated to provide him with as much "pink" as I had to give on a daily basis. (Spoiler alert: that ridiculous imbalance of effort was wholly unsustainable and ensured that Lalo and I were never going to last.) All that being said, I only bring it up now because, last week, the fantastic marketing team I hired to build my new website suggested a pink and green color scheme and I couldn't be more delighted by the coincidence. Hope you enjoy the site! Be sure to click "LEARN MORE" on the Homepage to purchase either of my books online today.
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Full Stop.
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Shortly after my book came out in 2018, I was approached by a fellow writer who asked if he could interview me as research for his next book (on a somewhat similar topic to ROCK MONSTER). Today I stumbled across our Q & A and this exchange in particular stood out to me. The strong intuition you had of a fate connection with Joe from just hearing his voice on the radio is very compelling. From the long perspective, do you think artists and muses are drawn together by destiny? Do you believe fate maps a person’s life. Do you follow astrology or numerology? Do you believe in the Eastern notion of spirit destiny and reincarnation? I tend to think that some events are fated, meaning unchangeable from birth. But also, that we manifest much of our own destiny. Maybe I was fated to meet and fall in love with Joe (I don’t really know), but if so, our toxic relationship was a manifestation of our own doing. I think muses and artists are generally more attuned to subtle energetic frequencies (it’s been studied in musicians, actually), so maybe they feel a sense of kismet more readily…? The average civilian living a conventional milquetoast life maybe doesn’t recognize romantic destiny the way a poet and his muse might. The muses I’ve known had an abiding longing to find their counterpart. I think longing is powerful and that it facilitates manifesting. Of course, artists experience longing too, since an inspirational muse is crucial to keep from being mired in performance anxiety or fan expectations. Self-identity is a powerful thing. When it’s on the line your antenna is always attuned to finding what it needs. When these two halves finally meet, they’re like magnets. It feels like becoming whole, right? Like “destiny.” I’ve had my numerology chart done twice, both by women who had numerology in their lineage (their mothers and grandmothers, etc., were numerologists). Both insisted on doing it free and were bizarrely spot on (I still have one; it’s 11 pages long.) I read Rob Brezsny’s weekly horoscope and am a fan of the Secret Language research. (I don’t necessarily think a person’s birthdate determines who they are, but maybe who you are [going to be] determines your birthdate.) I believe karma is less “you get what you give” than you get what you think, feel, believe (yet again with the manifesting). Now, reincarnation…hmmm. Well, if time doesn’t really exist and all things are happening at once, then all possibilities exist and what we focus on is what we experience. So maybe reincarnation is just a manifestation of quantum physics. As for my car radio experience, maybe I time traveled into my future for a millisecond and came back with a taste of the heartache I was destined to later experience. Elite baseball players swing at fastballs before they’re actually thrown. There is more to life than meets the eye… I believe this to my soul.
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Once, in the early 90s, Joe called his old friend Chrissie Hynde. I was in the room and heard him ask What’s up, whatcha doin’? before pausing, and then laughing loudly at her answer. After they hung up I asked what she’d said that was so funny. He replied in his best ‘ultra cool / super chill’ Chrissie Hynde voice: Smokin’ a doob. I’m not sure why we both found that so funny, but we did and I kinda still do.
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